Berkovich, Isaak Yakovich

Isaak Yakovich Berkovich (December 28, 1902 – January 5, 1972)

Isaak Yakovich Berkovich (born December 28, 1902, Kiev, Ukraine – died January 5, 1972, Kiev, Ukraine) was a Soviet composer, pianist and teacher. He was a member of the National Union of Ukrainian Composers. Being the author of teaching aids School of Piano Playing, Berkovich made a significant contribution to piano pedagogy. Isaak Berkovich devoted all his life to music, more than one generation of musicians studied on his teaching aids.

BIOGRAPHY

Education

 Isaak Berkovich was born in Kiev into a family of a watchmaker. In 1920 the future composer entered the Kiev Conservatory (nowadays – Petro Tchaikovsky National Music Academy of Ukraine); there he studied piano with Professor Vladimir Pukhalsky and composition and music theory with Professor Boris Lyatoshinsky.

Early career

His pedagogical work began in 1922 and continued throughout his life.  Simultaneously with his studies, Berkovich began teaching. Up to 1930 he worked as a piano teacher at Kiev Music School №6.  In 1925 Berkovich graduated from the Kyiv Conservatory. By this time he had already been the author of a rather large number of works, mostly written for small musicians.

Pedagogical work and composer activity

In 1925-1941 he worked as a teacher at the Kiev Music College and the Kiev Evening Conservatory. From1933 until 1941 Berkovich worked as an assistant, since 1947 he was an associate professor, in 1969 he held the position of a professor at the Kiev Conservatory. In 1938 Berkovich became a member of the National Union of Ukrainian Composers. Berkovich was actively engaged in pedagogical work along with composer activity. Mostly his work was aimed at creating piano pedagogical repertoire. Berkovich had a number of publications. Special attention was paid to piano works focused on those who are studying at children music schools. These piano works include etudes, pieces, arrangements of folk songs, other authors’ songs and numerous adaptations of piano works.

Legacy

Berkovich’s creative legacy includes works for violin and cello; there are also orchestral works. But most of the works were written for his favourite instrument - piano.

Works for Piano and String Orchestra – Three Concertos (1961, 1963, 1968), Variations on the Theme of Paganini (1967), Trio (1928); Two Sonatas for Piano (1922, 1941), Three Sonatinas for Piano (1952), Thirty Easy Pieces (1938), Thirty-five Etudes (1950), A Collection of Polyphonic Pieces (1950), Variations on Folk Themes (1963), Twenty-four Preludes (1965), School of Piano Playing (1960), Cycles of Pedagogical Pieces and Ensembles (1938-1966), etc. Berkovich also composed for the folk instruments orchestra (suite-1964), for violin and piano, cello and piano, domra and piano, for voice and piano. Berkovich wrote romance Thought (Duma) based on the poem by Taras Shevchenko and songs for children.

SHEET MUSIC

You can find and download free scores of the composer:

• UKRAYINSʹKA NARODNA PISNYA
• VZYAV BI YA BANDURU
• MAZURKA
• VARIATIONS on the theme of the Belarusian folk song "PEREPELOCHKA"
• RONDO
• VARIATIONS ON A RUSSIAN SONG
• POLKA
• MARCH
• ZHENCHICHOK-BRENCHICHOK. Ukrainian folk song. Arranged by Isaak Berkovich
• UKRAINIAN MELODY
• RUSSIAN SONG
• SPRING SONG
• The DANCE
• The STORY
• POLKA
• SONATINA
• DROPLETS (KAPEL’KI)
• SINGING LESSON VI part of the suite "Hello School!"
• PIONEERS ARE GOING
• LULLABY TALE (KOLYBEL’NAYA SKAZOCHKA)
• AT THE EDGE OF THE FOREST (NA OPUSHKE)
• ANXIETY MINUTE (TREVOZHNAYA MINUTA)
• WALTZ
• CANON
• AUTUMN IN THE FOREST (OSEN’YU V LESU)
• MONGOLIAN SONG
• WALTZ
• VARIATIONS on the Ukrainian theme
• DOLL’S DANCE (TANETS KUKLY)
• SONATINA A minor
• FOLK DANCE TUNE (PLYASOVAYA)
• MOLDAVIAN MELODY
• EXPROMT
• VARIATIONS on the Russian song THE COW (KOROVUSHKA)
• The DANCE
• MARI SONG (MARIYSKAYA PESNYA)
• PRELUDE in E minor
• The TALE
• The SKETCH (ESKIZ)
• VARIATIONS in D minor
• TOCCATA
• PRELUDE in F-sharp minor
• Concerto №2, Op.44

50 Little Etudes:

• ETUDE No.1 in C major
• ETUDE No.2 in C major
• ETUDE No.3 in C major
• ETUDE No.4 in C major
• ETUDE No.5 in C major
• ETUDE No.6 in C major
• ETUDE No.7 in C major
• ETUDE No.8 in C major
• ETUDE No.9 in A minor
• ETUDE No.10 in A minor
• ETUDE No.11 in G major
• ETUDE No.12 in C major
• ETUDE No.13 in G major
• ETUDE No.14 in A minor
• ETUDE No.15 in D major
• ETUDE No.16 in G major
• ETUDE No.17 in C major

• ETUDE No.18 in C major
• ETUDE No.19 in F major
• ETUDE No.20 in A minor
• ETUDE No.21 in F major
• ETUDE No.22 in F major
• ETUDE No.23 in G major
• ETUDE No.24 in F major
• ETUDE No.25 in C major
• ETUDE No.26 in D minor
• ETUDE No.27 in A minor
• ETUDE No.28 in G major
• ETUDE No.29 in A minor
• ETUDE No.30 in D major
• ETUDE No.31 in E minor
• ETUDE No.32 in G minor
• ETUDE No.33 in G minor
• ETUDE No.34 in G major

• ETUDE No.35 in E minor
• ETUDE No.36 in G major
• ETUDE No.37 in A major
• ETUDE No.38 in C major
• ETUDE No.39 in C major
• ETUDE No.40 in B-flat major
• ETUDE No.41 in G major
• ETUDE No.42 in D major
• ETUDE No.43 in A minor, On A Theme of Paganini
• ETUDE No.44 in A minor
• ETUDE No.45 in A minor
• ETUDE No.46 in A minor
• ETUDE No.47 in A minor
• ETUDE No.48 in A minor
• ETUDE No.49 in A minor
• ETUDE No.50 in A minor